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Part Two: Distancing Christianity Through Place and RaceĬhapter Three - Southern Realism: Christianity in Friday Night Lights and RectifyĬhristianity in Quality Representations of the American South The Persistent Perception of Antagonism between Faith and Mainstream Television The Bible Miniseries: The Rewards of Risk for the History ChannelĪ.D.: The Bible Continues and The Dovekeepers: Failures of Faith on Network Television
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#TELE POPUP 2016 TV#
Touched by an Angel as Model: Roma Downey and Mark Burnett's Pursuit of Faithful TV in an Increasingly Upscale-oriented Industry Religious Messages and the Middlebrow Audience: Touched by an AngelĪttempting to Avoid "Preachy" : 7th HeavenĬhapter Two - Biblical Miniseries in the 2010s: Mark Burnett, Roma Downey, and Faithful Christian Representation
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Old Networks and New Netlets: Broadcast in the Neo-Network Era The Neo-Network Legacy: Defining and Avoiding "Religious TV" Within Middlebrow Appeal Part One: Establishing White Christianity's Middlebrow AssociationsĬhapter One - Christianity's Broad Appeal in the 1990s: Touched by an Angel and 7th HeavenĪ Brief History: Establishing The Norms of Representing Christianity on American Television Religion Among Expansive Options: Toward Peak TV (2015-2016) The Boom in Religious Representation in the Post-Network Era (early 2000s-2016) Understanding Religion in Hollywood's Production Culture Introduction: Christianity, Religion, and Hollywood Television Production Cultures
#TELE POPUP 2016 SERIES#
To examine this effect, Howell looks at religious representation through four approaches - establishment, distancing, displacement, and use - and looks at series across a variety of genres and outlets in order to provied varied analyses of each theme. As a result, the televised representation of white Christianity had to be othered, and shifted into the unreality of fantastic genres to appeal to niche audiences. In recent years, upscale audience niches have aligned with the perceived tastes of affluent, educated, multicultural, and-importantly-secular elites. It illustrates how middle-American television audiences lost significance within the Hollywood television industry and how this in turn has informed and continues to inform television programming on a larger scale. Utilizing original case studies and interviews, Divine Programming investigates the development, writing, producing, marketing, and positioning of key series including 7th Heaven, Friday Night Lights, Rectify, Supernatural, Jane the Virgin, Daredevil, and Preacher.Īs this book shows, there has historically been a deep ambivalence among television production cultures regarding religion and Christianity more specifically.
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#TELE POPUP 2016 SERIAL#
Programming labeled 'family-friendly' became a euphemism for white, middlebrow America, and developing audience niches became increasingly significant to serial dramatic television. Howell argues in this book, by 2016, television narratives of white Christianity had become entirely disconnected from the religion they were meant to represent.